Effects

$200.00
Suhr JackRabbit Tremolo

Suhr JackRabbit Tremolo

5SU_JackRabbit_4

Price: $200.00
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$200.00
Suhr Comp

Suhr Comp

Suhr-Comp2

Price: $200.00
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$250.00
Suhr Koko Boost

Suhr Koko Boost

Suhr-Kokoboost2

Price: $250.00
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$200.00
Suhr Riot Distortion

Suhr Riot Distortion

Suhr-Riot2

Price: $200.00
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$200.00
Suhr Shiba Drive

Suhr Shiba Drive

Suhr-Shiba-Drive2

Price: $200.00
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$100.00
Analogman TS-9 Tube Screamer

Analogman TS-9 Tube Screamer

5AM_TS808_1

Analogman TS-9

Analogman modified Ibanez TS-9 tube screamer that was purchased already modified around 2001-04.
This pedal has less than 2 hours playing time on it. The modified Analog TS-9s sell new for at least $165, a stock unmodified pedal is $100 new, so $100 for this like new modified pedal.

Price: $200.00
Price: $100.00
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$149.00
Carl Martin – Compressor Limiter

Carl Martin – Compressor Limiter

5CM_CL_1

Carl Martin Compressor Limiter

New street price $319, our price$149
The Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this they incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.
General Guidelines on the use of the Compressor/Limiter:

Threshold:

Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.

Comp:

Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.

Resp:

Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.

Gain:

Working clockwise sets the overall gain.

Busy:

Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

Price: $319.00
Price: $149.00
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$149.00
Carl Martin TremO’Vibe

Carl Martin TremO’Vibe

5CM_TV_1

Carl Martin Compressor TremO’vibe

New street price $319, our price $149

The Carl Martin TremO´vibe is an analog “two in one” effect pedal consisting of a tremolo and a real vibrato, both with independent sets of speed and depth controls.
The tremolo effect works like a change in volume. The vibrato, which works as a change in tone (pitch modulation), is carefully designed to imitate the sound of a real tube vibrato.
Featuring two switches;
The “on” switch allows you to engage or bypass the unit.
The “select” switch allows you to switch between Tremolo and Vibrato.
The Carl Martin TremO´vibe is an excellent choice for Guitar, Bass, Keyboard, or any other electronic instrument, that requires the highest sonic clarity, maximum dynamic range and noise free performance.
The unit has a built in regulated power supply which enables a circuitry design of the highest quality with maximum headroom.

Price: $319.00
Price: $149.00
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$115.00
Used Fultone Standard Clyde Wah

Used Fultone Standard Clyde Wah

5F_CW_1

CLYDE Standard Wah

New $239 – Us $115
Clyde McCoy was a big-band Trumpet Player in the ’60s… not a great musician, but one famous for getting a muted “wah wah” sound. This led to Vox trying to approximate this muted trumpet sound in a pedal… hence the Vox “Clyde McCoy” wah wah circa 1967.

Jimi Hendrix and Eric Clapton both used a Vox “Clyde McCoy” model wah wah. Photos taken during the recording of “Electric Ladyland” document Jimi’s as being the “signature” model, featuring Clyde McCoy’s name written out script style on the bottom plate. The other type of Clyde McCoy was the “picture” version, which had Clyde’s photo on the bottomplate. The “signature” model, with its great sounding “halo” inductor, is what the Fulltone CLYDE is modeled after.

The Fulltone “CLYDE” was born from taking the best of the best of my more than 25 pc. vintage Vox wah collection, and analyzing every aspect… going so far as sacrificing a few of the vintage inductors to get it right.

Our Inductor is a tuned core hand-made unit using EXACTLY the same type wire and inductance as the ’60’s era Vox, except VERY consistent from one unit to the next. A tuned core inductor is much more expensive to make, but the end result is worth it. The only change from the original ’60’s Vox design is the addition of a very usable internal “Resonance Control” which is a large durable trimmer, for bass and gain adjustment, which is easily adjustable by hand without tools and with room to mark your favorite settings.

CLYDE Standard wahs (as well as the deluxe model) sport the most authentic ’60’s Vox type inductor available, which happens also the quietest… our hand-wound MuMetal shielded Fulltone 500mH inductor. And the long-life Fulltone-1 wah pot.

The Potentiometer, the most overlooked part of the circuit, is one of the keys to a good wah wah sound and there hasn’t been a proper “tapered” pot, since the ’60’s “Icar” in any major manufacturer’s wah. This is one of the reasons the ’70s, ’80s, and ’90s wahs are so mediocre. We’ve made our own I call the Fullrange pot (… ours has a double screened carbon composition track giving a 500,000 turn life span instead of the standard industry 15,000.

I don’t like the original Vox-type housings that everyone uses, and I had to design and produce one that made more sense. The traditional housings don’t give enough travel and potentiometer range, limiting your tonal sweep, and they have little compensation for tension or feel. The Fulltone “Clyde” uses our own custom-made 14 ga. welded steel pedal with nylon pivot points and much more travel than the conventional Vox-style ones that everyone uses. It has nylok nuts so you can adjust the tension of the treadle, and it stays that way until you change it. As with all Fulltone pedals, the “Clyde” has true bypass switching so that when it’s “off” it’s not coloring your sound or ruining the performance of other pedals in your signal chain.

Price: $239.00
Price: $115.00
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$89.00
Ernie Ball Volume Pedal

Ernie Ball Volume Pedal

5EB_VP_1

The Ernie Ball 6166 Mono Volume Pedal

New $119 Us $89

The Ernie Ball 6166 Mono Volume Pedal puts complete volume control right at your feet! This quality volume pedal makes an excellent hands-free alternative for players who like to ride the volume knob. Use it to create amazing tonal textures in conjunction with other effects, or perform classic pedal-steel swells with ease. The 6166 Mono Volume Pedal uses a 250k ohm resistance for great performance with passive instruments. It includes an internal taper switch that allows you to select betwee two volume swell rates. A handy independent tuner output allows for silent tuning when the 6166 Mono Volume Pedal is in the “heel down” position.

Ernie Ball 6166 Mono Volume Pedal Features:

• 250k ohm resistance for passive instruments
• Selectable volume swell rate
• Tough construction
• Independent tuner output for silent tuning

Price: $119.00
Price: $89.00
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$89.00
Keeley Boss DS-1

Keeley Boss DS-1

5K_BDS_1

Keeley Modified Boss DS-1

New: $144
Our Price: $89
The DS-Ultra Keeley Mod is going on 9 years as a respected measure of tone! The DS-Ultra is Keeley’s most popular modded distortion pedal!
The Keeley Modded BOSS DS-1 Guitar Effect Offers the Finest in Marshall-Amp Tone-In-A-Box!!! Perfect for tones like AC/DC, VAN HALEN, STEVE VAI.

Price: $144.00
Price: $89.00
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$110.00
Line 6 – DL4 Delay Modeler

Line 6 – DL4 Delay Modeler

5l6_dl4_1

Line 6 – DL4 Delay Modeler

Like all Line 6 stompbox Modelers, the DL4 boasts a simple and sturdy front panel design, with four footswitches for saving and recalling your sounds, and six knobs for selecting models and tweaking parameters, with distinct assignments for each knob depending on the delay model you’ve chosen. Paired with the optional EX-1 expression pedal, which lets you morph between two radically different settings for each of your sounds, the DL4 is truly the ultimate delay pedal, making the history of echo and delay available to your creative future.

Available Models:
• Tube Echo
• Tape Echo
• Multi-Head
• Sweep Echo
• Analog Echo
• Analog w/Mod
• Lo Res Delay
• Digital Delay
• Digital w/Mod
• Rhythmic Delays
• Stereo Delays
• Ping Pong
• Reverse
• Dynamic Delay
• Auto-Volume Echo
• Loop Sampler

New $249
Used $110

Price: $249.00
Price: $110.00
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$89.00
Line 6 – MM4 Modulation Modeler

Line 6 – MM4 Modulation Modeler

5l6_MM4_1

Line 6 – MM4 Modulation Modeler

Nothing opens up new guitar vocabulary quite like modulation. Drenching your tone in tremolo, flange, rotary speaker, chorus or even ring modulation can help you find your singular language on the instrument, while giving your listeners chills, thrills and psychoactive spills. But while run-of-the-mill chorus pedals and off-the-shelf tremolo boxes are rarely more than one-trick ponies, the tone-packed Line 6 MM4 Modulation Modeler rides into town with a treasure trove of vintage analog-style modulation and modern tone manglers, while providing the 24-bit stereo signal path and true bypass demanded of the digital domain.

The MM4 features spot-on models based on* classic mod units like the brilliant optical tremolo found in the 1965 Fender® Deluxe Reverb® amp, the badass bias tremolo of the 1960 Vox® AC15, the legendary MXR® Phase 90 favored by Eddie Van Halen, and even the dripping phase effects of the funkadelic Mu-Tron® Bi-Phase. Step into the dimension of rotating speakers with models based on* the Fender® Vibratone and the classic Leslie® 145. You’ll also get models based on* a pair of MXR® and A/DA’s essential flangers, as well as the Boss® CE-1 Chorus Ensemble that made Andy Summer’s shimmering sound the cornerstone of the Police and the signature guitar sound of the Eighties.

New – $249
Used – $100

Price: $249.00
Price: $89.00
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$129.00
MXR Carbon Copy Delay

MXR Carbon Copy Delay

5MXR_CC_1

MXR Carbon Copy Delay

Go from crisp “bathroom” slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology.

New: $254
Our Price: $129

Price: $254.00
Price: $129.00
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$100.00
Teese Modded Vox Wah

Teese Modded Vox Wah

5T_VWW_1

Teese Modded Vox Wah

This is a 90s era Vox Wah modded by Geoffrey Teese.

Our price: $100

Price: $100.00
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$149.00
Carl Martin – Compressor Limiter

Carl Martin – Compressor Limiter

5CM_CL_1

Carl Martin Compressor Limiter

The Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this they incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.

General Guidelines on the use of the Compressor/Limiter:

Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.

Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.

Response: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.

Gain: Working clockwise sets the overall gain.

Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

New street price $319, our price$149

Price: $319.00
Price: $149.00
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